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Meridien® Com Italic
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| Price: | US$ 43.00 |
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| ... is part of the Meridien® Font Family, comprising altogether 6 fonts in OpenType Com format. |
Technical information
OpenType outline flavour:
OTF - TrueType flavoured
File name: MeridienCom-Italic.ttf Windows menu name: Meridien Com Roman PostScript name: MeridienCom-Italic PostScript full name: Meridien Com Italic |
Catalog material number:
16845015
Meridien® Std Italic
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| Price: | US$ 29.00 |
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| ... is part of the Meridien® Font Family, comprising altogether 6 fonts in OpenType Std format. |
Product is contained in:
Technical information
OpenType outline flavour:
CFF - PostScript flavoured
File name: MeridienLTStd-Italic.otf Windows menu name: Meridien LT Std Roman PostScript name: MeridienLTStd-Italic PostScript full name: MeridienLTStd-Italic |
Catalog material number:
16740602
Meridien® Italic
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| Price: | US$ 26.00 |
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| ... is part of the Meridien® Font Family, comprising altogether 8 fonts in Windows TrueType format. |
Product is contained in:
Technical information
File name: lte50478.ttf Windows menu name: Meridien LT Italic PostScript name: MeridienLT-Italic PostScript full name: Meridien LT Italic |
Catalog material number:
35650478
Meridien® Italic
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| Price: | US$ 26.00 |
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| ... is part of the Meridien® Font Family, comprising altogether 6 fonts in Windows PostScript format. |
Product is contained in:
Technical information
File names: lte50478.pfb, LT_50478.pfb Windows menu names: Meridien LT Italic, Meridien Italic PostScript names: MeridienLT-Italic, Meridien-Italic PostScript full names: Meridien LT Italic, Meridien Italic |
Catalog material number:
36150478
Meridien® Italic
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| Price: | US$ 26.00 |
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| ... is part of the Meridien® Font Family, comprising altogether 6 fonts in Mac PostScript format. |
Product is contained in:
Technical information
File name: MeridLTIta PostScript name: MeridienLT-Italic PostScript full name: Meridien LT Italic |
Catalog material number:
36050478
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Other families by this designer ...
See below Meridien® Italic or other typefaces from the Meridien® Font Family in real usage ...
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Documents referring to this product ...
1. Part 2
Frutiger™ Capitalis
At first glance, Frutiger Capitalis Regular and Outline may seem related to the roman type Capitalis Monumentalis, but upon closer examination, the fonts reveal a vitality unknown to the characters the Romans etched in stone. Frutiger confesses that creating Capitalis was "a liberation." After working on so many sophisticated and meticulously designed typefaces, Capitalis was a breath of fresh air.
Stylistically, Frutiger Capitalis Outline forms a bridge to Frutiger [...]
Pierre Simon Fournier – born 15. 9. 1712 in Paris, France, died 8. 10. 1768 in Paris, France – type founder, punch cutter, type designer – known as Fournier le Jeune.
Trains at the company of his father, Jean Claude Fournier. 1737: develops a typographical system of measures which F. A. Didot reworks. 1739: opens his own type foundry. 1742: publishes a book of type specimens which is printed by J. J. Barbou. In total, Fournier cuts 60,000 punches for c. 150 of his own alphabets. 1760: [...]
Über die Lesbarkeit
Unter dem Einfluss der verschieden Druckverfahren hat die lateinische Textschrift subtile Formveränderungen erfahren. Grundsätzlich neue Formen sind jedoch keine entstanden. Als Demonstration dafür sind acht a in den meistgelesenen Schriftstilen mit einem Drehraster versehen und übereinander kopiert. Das Resultat zeigt eine erstaunliche Übereinstimmung.
About Meridien® Italic ...
Designer: Adrian Frutiger, 1957
Meridien® Italic belongs to the Meridien® Font Family which is part of the Linotype Originals.
Méridien™ was developed in the mid-1950s, and released by the French foundry Deberny & Peignot in 1957. After studying a typeface from the sixteenth century, the Swiss designer Adrian Frutiger was inspired to create an alphabet without any completely straight strokes, and he hoped the reader of a text set in this typeface would feel as though wandering through a forest. The designer of more than 100 typefaces, Frutiger considers Méridien to be his best. With its slightly flared stems and triangular shaped serifs, Méridien is at once sharp, graceful, arresting, and sensuous; much like a forest. Use the roman when you want to create a distinctive graphic expression in book text. For posters and websites, the italic or the bold weights or even the roman set in all caps will give an impression of quiet dignity.
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