Customers from all over the world come to Linotype.com every day to purchase fonts. Below is a list of the 20 typeface families that our customers licensed most often in during 2008. Do you know them all?
The right fonts for the three official alphabets of the European Union. With the entrance of Bulgaria in January 2007, the Cyrillic script joined the Latin and Greek alphabets to become the Union’s third official alphabet.
Linotype Original Fonts with the “W1G” additional marking meet the character set allocation in accordance with Linotype W1G (World Glyph 1) norm.
Here is a list of all languages supported by W1G fonts (PDF file English/German, 1 mb).
Search our
[...]Linotype previously had three design studios located around the globe:
Mergenthaler Linotype, in the United States, was founded in Brooklyn, but later moved to Melville, NY, and then to Hauppauge, NY. Mergenthaler Linotype's design studio employed at varying times up to 80 designers under the direction of Chauncey H. Griffith, Jackson Burke, Mike Parker, and Matthew Carter.
In continental Europe, Linotype typefaces were produced by the D. Stempel AG typefoundry in Frankfurt, Germany.
[...]
Font Designer: Linotype Design Studio
The abbreviation "DIN" stands for Deutsches Institut für Normung (The German Institute for Industrial Standards). In 1936, this standards committee settled upon DIN 1451 as the primary lettering style for use in the areas of technology, traffic, administration, and business. The committee chose a sans serif design because of its legibility, and because its forms are also easy to reproduce. This face’s design was not foreseen to be used in
[...]
The abbreviation "DIN" stands for Deutsches Institut für Normung (The German Institute for Industrial Standards). In 1936 the German Standard Committee settled upon DIN 1451 as the standard font for the areas of technology, traffic, administration and business. The Committee chose a sans serif font because it was thought to be legible, straightforward, and easy to reproduce. They did not expect the font would be used for advertisements and other "artistically oriented" purposes. Nevertheless, because DIN 1451 has been seen all over Germany on signs for town names and traffic directions, this font became familiar enough to make its way to the palettes of graphic designers and advertising art directors. Despite disagreement about its aesthetic qualities, the contemporary digital version of DIN 1451 has been adopted and used by designers in other countries as well, solidifying its worldwide design reputation. Try it out for signage, magazine layouts, book covers, or flyers. DIN 1451's industrial heritage makes it surprisingly functional in just about any application.
