|
|
Frutiger® Arabic 65 Bold
|
| Price: | US$ 135.00 |
| ... is part of the Frutiger® Arabic Font Family, comprising altogether 8 fonts in OpenType format. |
| Character set features: |
     559 characters 
|
|||
|---|---|---|---|---|
| Character maps: | Encoding map | |||
| Linked font group: |
|
|||
| Product is contained in: |
|
|||
| Technical information | ||||
Customers who bought this also bought ...
Documents referring to this product ...
By Adrian Frutiger
Much has been written about the evolution of type: how the forms of our letters took shape, from the roman capitals to the Carolingian minuscules, and how the Latin alphabet was then, essentially, finalized for eternity by the first printing presses of the Renaissance Age.
Looking back from where we stand now, we could say that the original forms of our uppercase letters are around 2,000 years old, while those of our lowercase letters would be over 1,000 years old. And [...]
Adrian Frutiger has spent decades working very closely with Linotype. In the many years of this fruitful collaboration, we’ve accumulated a number of photographs of Adrian Frutiger. These images show glimpses of the different periods and highlights of his life so far, including pictures of him working in his studio, moments of him along with his typefaces, and even more recent shots of him working together with Akira Kobayashi.
We hope that you enjoy browsing through these images.
3. Frutiger
Frutiger® – the sans serif classic.
Get the original from Linotype as single fonts, in a Value Pack, or on CD.
About Frutiger
Famous type designer Adrian Frutiger created a masterpiece with this typeface. Faced with the challenge of designing an exceptionally legible type for the signs of the Charles de Gaulle Airport in Paris, he developed the now legendary Frutiger in 1968. The original Linotype typeface has since been expanded to include 14 weights and is of course not just [...]
Über die Lesbarkeit
Unter dem Einfluss der verschieden Druckverfahren hat die lateinische Textschrift subtile Formveränderungen erfahren. Grundsätzlich neue Formen sind jedoch keine entstanden. Als Demonstration dafür sind acht a in den meistgelesenen Schriftstilen mit einem Drehraster versehen und übereinander kopiert. Das Resultat zeigt eine erstaunliche Übereinstimmung.
Nadine Chahine is an award winning Lebanese type designer with a special interest in Arabic typography. She studied Graphic Design at the American University of Beirut and Typeface Design at the University of Reading, UK. During her study at Reading, she focused on the relationship of the Arabic and Latin scripts and the possibilities of creating a harmonious relationship between the two. She taught Arabic type design as a visiting lecturer at the American University in Dubai and then joined [...]
Portrait
We can read because we perceive elements and forms which are familiar to us. So in order to even recognize words, we must first decipher the elements which make up the shapes of the letters – a process which involves the interplay of myriad aspects. To a certain degree, many of us are aware of these aspects. Yet Adrian Frutiger knows about such shifting dynamics in perception in a way no other person can, as he has been instrumental in researching the subject and over several decades [...]
With the invention of the printing press, a longing for formal refinement began to awaken. First leaning on the bold and distinct typography of incunabula, styles gradually progressed to culminate in the decorative classical fonts of the 17th and 18th centuries. This growing preoccupation with ever greater refinement was also reflected in the architecture of the times, as well as in objects of daily use, especially furniture. But also the fashionable attire worn by the upper classes of each [...]
Popular throughout the world for over 30 years, the Frutiger® typeface now has companion Arabic fonts. Just like its predecessor has been used in the West, now designers the world over can use Frutiger Arabic for signage systems, documents, logos, and corporate identity work.
Developed by Nadine Chahine, Frutiger Arabic is based on the Kufi style, but its design incorporates aspects of Ruqaa and Naskh forms as well. Adrian Frutiger acted as Nadine's advisor during the creation [...]
About Frutiger® Arabic 65 Bold ...
Designer: Nadine Chahine / Adrian Frutiger, 2007
Frutiger® Arabic 65 Bold belongs to the Frutiger® Arabic Font Family which is part of the Linotype Originals.
Frutiger Arabic is designed by Lebanese designer Nadine Chahine as a companion to the Latin typeface Frutiger and with the consulting of Adrian Frutiger. It is based on the Kufi style but incorporates aspects of Ruqaa and Naskh in the letter form designs. This results in what could be labeled as a humanist Kufi, a Kufi style that refers to handwriting structures and slight modulation to achieve a more informal and friendly version of the otherwise highly structured and geometric Kufi styles. As with the Latin Frutiger, the design is targeted towards signage applications but is also quite suited for various applications from low resolution display devices to advertising headlines to corporate identity and branding applications. The font includes the basic Latin part of Frutiger and support for Arabic, Persian, and Urdu. It also includes proportional and tabular numerals for the supported languages.
Search this or similar products by the following keywords: Advertisements, airport, Arab, arabian, Arabic, branding, Corporate, Farsi, friendly, Frutiger, kufi, Lexica, low resolution, mobile device, Modern, monolinear, OpenType, OT, Signage, Urdu.
Frutiger is a trademark of Linotype Corp. registered in the U.S. Patent and Trademark Office and may be registered in certain other jurisdictions in the name of Linotype Corp. or its licensee Linotype GmbH.
Quality features
The Platinum Collection is the exclusive series of optimized classic typefaces from the Linotype Library.
XSF-Fonts are OpenType or TrueType fonts with an excellent appearance on screen at small sizes or low resolutions – especially engineered and optimized for exceptionally readable typefaces on computer screens using Microsoft® Windows operating systems.
XSF-Fonts are OpenType or TrueType fonts with an excellent appearance on screen at small sizes or low resolutions – especially engineered and optimized for exceptionally readable typefaces on computer screens using Microsoft® Windows operating systems.
Character set features
Here you can see how many characters the font contains.
The shown symbols give you an impression about the kind of characters the font contains.
You can create a sample using this font.
Character maps
Click in Encoding map to see the characters grouped by the encondings contained in this font.
Product is contained in
Here you can see the names of all products, which contain this font.
Click in the product name to see the product.
Source of digital data
The digital data of a font may be delivered by different digitizing foundries. The entry shows the foundry which digitized this font.
OpenType outline flavour
This information tells you, which technology (PostScript or TrueType) has been used to build the characters of this OpenType font.
Technical font names
Here you learn the names of this font: as a file on a data carrier or in the menus of certain applications after installation.
Catalog material number
This material number uniquely identifies this product.
You can use it to order this product.
For further information do not hesitate to contact us via:
| Phone: | +49 (0) 6172 484-418 |
| Fax: | +49 (0) 6172 484-499 |
| e-mail: | info@linotype.com |
Copyright © 2009 Linotype GmbH. All rights reserved.
We reserve the right of errors and changes.
We reserve the right of errors and changes.