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Linotype previously had three design studios located around the globe: Mergenthaler Linotype, in the United States, was founded in Brooklyn, but later moved to Melville, NY, and then to Hauppauge, NY. Mergenthaler Linotype’s design studio employed at varying times up to 80 designers under the direction of Chauncey H. Griffith, Jackson Burke, Mike Parker, and Matthew Carter. In continental Europe, Linotype typefaces were produced by the D. Stempel AG typefoundry in Frankfurt, Germany. Stempel’s design studio would employ up to 50 designers under the direction of Hermann Zapf, Gotthard de Beauclair, Erich Schulz-Anker, Horst Heiderhoff, and Werner Schimpf. After Linotype’s acquisition of D. Stempel AG in 1985, their type production and design teams moved to Eschborn, Germany, just outside of Frankfurt. In the UK, the English Linotype Ltd designed and produced Non-Latin typefaces for Arabic, Hebrew, Thai, Indic languages, etc. under Walter Tracy, and later under Fiona Ross. Typefaces whose design is credited to the Linotype Design Studio were created in-house by various departments – or partners – throughout Linotype’s history. Often, these typefaces were designed, redesigned, and/or extended by teams of staff members, and attribution to single persons is therefore not possible. Linotype’s in-house departments included production teams at the American, British, and German Linotypes, as well as Tetterode in the Netherlands, Deberny & Peignot and the Olive typefoundries in France, Haas´sche Schriftgiesserei (Haas Type Foundry) in Switzerland, and at the Dr.-Ing Rudolf Hell GmbH and D. Stempel AG in Germany?the latter’s work included many typefaces that originally appeared with the Klingspor and/or other foundries. The Linotype Design Studio’s name and tradition have been associated with some of highest quality and most possible typefaces produced during the hot metal, photo-typesetting, and digital eras. This tradition lives on today. Since 1997, all work Linotype Design Studio has been developed at Linotype GmbH’s office in Bad Homburg, Germany. |
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Border Font S2000, Clearface Gothic, Deconumbers, Fette Fraktur, Flyer, Forbes, Gothic 13, Grafiko, Hotmetal Pi, Jiffy, LinoLetter, Linobats, Linotype CMC-7, Linotype EuroFont, Linotype Gothic, Linotype Hieroglyphes, Luthersche Fraktur, Mac Key Caps Pi, Macbeth, Modified Gothic, National Codes Pi, Neue Hammer Unziale, Rundfunk Antiqua, Rundfunk Grotesk, Saral, Serlio, Topografische Zahlentafel, Universal, Universal MICR Pi, Universal Mathematical Pi and Woodstock are trademarks of Linotype GmbH and may be registered in certain jurisdictions. Electra, Fairfield, Frutiger, Helvetica, Janson, Spartan, Times and Univers are trademarks of Linotype Corp. registered in the U.S. Patent and Trademark Office and may be registered in certain other jurisdictions in the name of Linotype Corp. or its licensee Linotype GmbH. Century, Compatil, Linotype, Neuland and Pilgrim are trademarks of Linotype GmbH registered in the U.S. Patent and Trademark Office and may be registered in certain other jurisdictions.
Schneidler is a registered trademark of Bauer Types.
New Baskerville is a trademark of International Typeface Corporation registered in the U.S. Patent and Trademark Office and which may be registered in certain other jurisdictions.
Cloister is a trademark of The Monotype Corporation and may be registered in certain jurisdictions.
Falls Sie weitere Informationen wünschen, kontaktieren Sie uns bitte unter:
| Telefon: | +49 (0) 6172 484-418 |
| Fax: | +49 (0) 6172 484-499 |
| E-Mail: | info@linotype.com |
Irrtümer und Änderungen vorbehalten.













































































