Bistro Menu Value Pack

Fonts for Bistros, Bars and Restaurants
Give your restaurant’s menu its own unique design: try one of our three new Menu Card Value Packs. We’ve tailored each of these value packs to suit various sorts of eateries. From bars, to restaurants, to bistros, our value packs have the right look for you. And it goes without saying that these fonts aren’t limited to menu designing only – try them out on banners, signs, invitations, and even greeting cards! The possibilities are endless.

These great little collections are on sale for just US$ 140.00 – all of them naturally meet Linotype´s high standard of technical quality, giving you a multitude of options for headline and display use.


The fonts from the Bistro Menu Value Pack:

Brody
Body, designed in 1953 by the American type designer Harold Broderson, is a brush script face that mimics the show card style of lettering, which was very popular throughout the United States during the first half of the 20th Century. The letters appear as if they were drawn quickly and spontaneously with a wide, flat lettering brush. The lowercase letters connect to each other, cursive script style. Brody is the perfect display face to provoke a nostalgic feeling for the 1950s. Anything having to do with apple pie, home cooking, or last minute sales would look great in this face. You could outfit a whole supermarket signage system in a snap with Brody.

Escript™
Linotype Escript is a part of the Take Type Library, which features winners of Linotype’s International Digital Type Design Contest. Hans-Jürgen Ellenberger designed this handwriting font with fresh, lively forms. Each letter has a slightly different character, yet all fit well together and this lack of concrete rules gives the font a spontaneous feel. Escript is well-suited to headlines, smaller texts, and initials when combined with constructed typefaces.

Mano™
Linotype Mano is a fresh new font from the Swiss designer Marco Ganz. Urgent and vital, the typeface suggests swift communication or the latest trends: spontaneous and informal, personal and individual. Ganz deliberately gave the characters a marked lean to the right, similar to that of quick handwriting. But Linotype Mano is not only nimble and quick, it also retains its legibility as a text font. Linotype Mano is as dynamic, brisk and casual as modern pop music.

ITC Mona Lisa®
ITC Mona Lisa was designed by Pat Hickson, a stark and elegant typeface originally drawn in the 1930s by Albert Auspurg. The original drawings were long gone and the surviving metal type was already severely worn when Hickson studied Auspurg’s design for his recreation. The result is a typeface which melds the flavor of the 1930s with current design standards. ITC Mona Lisa displays all the suave sophistication of Fred Astaire and Greta Garbo.

Roundy™
Roundy was designed by Friedrich Karl Sallwey and appeared with Linotype in 1993. This calligraphy font is true to its name with its soft, round characters. The regular strokes give text an easy, relaxed feel. For variation and emphasis, Sallwey included swash capitals in this font. As initials, the swash characters add zest to texts and can be combined with other alphabets. The calligraphic elegance of Roundy is a perfect contrast to constructivist typefaces.


Take a look at the fonts of the Bar Menu Value Pack and the Restaurant Menu Value Pack

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