Fonts of Neville Brody in the Linotype Library
Superstar British designer Neville Brody has created typefaces that revolutionized the industry over the past two decades. These classics naturally have a sound place in the Linotype Libray.
More about the fonts:
Arcadia™
Arcadia was originally designed as the banner for Arena magazine in 1986. 1990 it was released as a font by Linotype GmbH.
Borrowing elements from Art Deco styling, Arcadia is a tall and striking geometric design with extremely condensed and contrasting forms. The alternate font has more pronounced ascenders and descenders for use at smaller point sizes. Arcadia lends eye-popping elegance to display settings for advertising, packaging, invitations, or logos.
Industria™
First designed for a magazine called The Face, Industria was released as a font by Linotype GmbH in 1989. Industria is a condensed sans serif with abbreviated, essential forms. It has a systemized mechanical structure of straight strokes with rounded outer corners and rectangular counter spaces.
The solid version is strong, cool, and reserved; the inline version gives a vibrating and artful contrast. The alternate font has a more flamboyant lowercase g and t.
Insignia™
Insignia™ was primarily designed as a headline face for Arena magazine in 1986, and released as a font by Linotype GmbH in 1989. Insignia has the basic forms of constructed grotesque fonts and was influenced by the New Typography of the Bauhaus during the 1930s. Its monoline, round-and-sharp forms reflect the Zeitgeist of that age, suggesting technology and progress.
Yet, like other Brody fonts, Insignia is also immediately recognizable as one of the hip, cutting-edge classics of our own computer era. The alternate font has half-serifs on the E, F, and Z; squeezed bowls on the P and R; a wider J; and an S made from protractor-shaped parts.
More about the fonts:
Arcadia™
Arcadia was originally designed as the banner for Arena magazine in 1986. 1990 it was released as a font by Linotype GmbH.
Borrowing elements from Art Deco styling, Arcadia is a tall and striking geometric design with extremely condensed and contrasting forms. The alternate font has more pronounced ascenders and descenders for use at smaller point sizes. Arcadia lends eye-popping elegance to display settings for advertising, packaging, invitations, or logos.
Industria™
First designed for a magazine called The Face, Industria was released as a font by Linotype GmbH in 1989. Industria is a condensed sans serif with abbreviated, essential forms. It has a systemized mechanical structure of straight strokes with rounded outer corners and rectangular counter spaces.
The solid version is strong, cool, and reserved; the inline version gives a vibrating and artful contrast. The alternate font has a more flamboyant lowercase g and t.
Insignia™
Insignia™ was primarily designed as a headline face for Arena magazine in 1986, and released as a font by Linotype GmbH in 1989. Insignia has the basic forms of constructed grotesque fonts and was influenced by the New Typography of the Bauhaus during the 1930s. Its monoline, round-and-sharp forms reflect the Zeitgeist of that age, suggesting technology and progress.
Yet, like other Brody fonts, Insignia is also immediately recognizable as one of the hip, cutting-edge classics of our own computer era. The alternate font has half-serifs on the E, F, and Z; squeezed bowls on the P and R; a wider J; and an S made from protractor-shaped parts.
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