Officina embodies the ideals of efficient office communication in both its serif and sans serif forms. Its style is that found on a traditional typewriter, altered to suit modern technological developments. Both serif and sans serif forms are designed and spaced to offer optimal legibility.
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Designer Erik Spiekermann created the following fonts: Berliner Grotesk® BQ (1913), Lo-Type® BQ (1914 ,this font has been adapted from the original for use in photosetting applications), ITC Officina SansŽ (1990), ITC Officina SerifŽ (1990).
Please take a look at the personal designer portrait of Erik Spiekermann.
When ITC Officina was first released in 1990, as a paired family of serif and sans serif faces in two weights with italics, it was intended as a workhorse typeface for business correspondence. But the typeface proved popular in many more areas than correspondence. Erik Spiekermann, ITC Officina's designer: "Once ITC Officina got picked up by the trendsetters to denote 'coolness,' it had lost its innocence. No pretending anymore that it only needed two weights for office correspondence. As a face used in magazines and advertising, it needed proper headline weights and one more weight in between the original Book a
