Current Samples

Here you can see how Linotype fonts have been used in various applications from all over the world!
The section “New Fonts in Use” shows you the current Fonts in Use samples with the appropriate typefaces.

Fonts:Agmena

Designer:Jovica Veljović

Source:Book “Hugo von Hofmannsthal
Ein Brief”

Fonts:Berling Nova

Designer:Karl-Erik Forsberg
Samples

Source:Book “Bok Stavs Konst”

Fonts:Camphor

Designer:Nick Job

Source:Magazine “Norte”

Fonts:DIN Next and ITC New Esprit

Designer:Akira Kobayashi,
Jovica Veljovic

Source:Brochure Elbphilharmonie

Fonts:Linotype Ergo

Designer:Gary Munch

Source:Flyer “parallelgeschichten”

Fonts:Linotype Ergo

Designer:Gary Munch
Samples

Source:Website
“www.heidelberger-fruehling.de”

Fonts:Finnegan®

Designer:Jürgen Weltin
Samples

Source:CD Wickie und die starken Männer

Fonts:Linotype Freytag™

Designer:Arne Freytag

Source:Jazzport Festival (outside the
Deichtorhallen exhibition
centres in Hamburg)

Fonts:ASTRA Frutiger®

Designer:Adrian Frutiger

Source:Cast metal road sign in
Gambarogno in Ticino with relief
lettering using the ASTRA-Frutiger
font (This font is used for all
traffic signs in Switzerland)

Fonts:Frutiger®

Designer:Adrian Frutiger
Samples

Source:Signposting, Bern

Fonts:Generis®

Designer:Erik Faulhaber

Source:Brochure “Druck- und
Medientechniker 2010”

Fonts:Generis®

Designer:Erik Faulhaber

Source:Poster for “Theater der Altmark”
(designed by Stephan Eckel)

Fonts:Gill Sans

Designer:Eric Gill
Samples

Source:Signposting, Berlin

Fonts:Harlow™

Designer:Colin Brignall

Source:Signposting, Los Angeles

Fonts:Linotype Ergo™ and Sabon®

Designer:Gary Munch,
Jan Tschichold

Source:Magazine “ITsat”

Fonts:Klint™

Designer:Hannes von Döhren

Source:Poster Mill Valley Arts Festival

Fonts:Luba™

Designer:Hendrik Möller

Source:Diploma thesis by Babette Müller

Fonts:Melior®

Designer:Hermann Zapf

Source:New Corporate Font for
Deutscher Bundestag

Fonts:Morris Sans®

Designer:Dan Reynolds
Samples

Source:Magazine “Pioneer”

Fonts:Neo® Sans

Designer:Sebastian Lester

Source:Website “www.erfolgs-produkt.de”

Fonts:Optima® and Fleurie

Designer:Hermann Zapf,
Gert Wiescher

Source:Flyer VET-Concept

Fonts:Optima nova®

Designer:Hermann Zapf,
Akira Kobayashi

Source:Book BRÂNCUȘI

Fonts:Palatino® nova

Designer:Hermann Zapf,
Akira Kobayashi

Source:Magazine “The Calligraph”

Fonts:Rameau

Designer:Sarah Lazarevic

Source:Cover of CD booklet

Fonts:Linotype Typo American

Designer:Mark Stanczyk

Source:Book “Dark Water”

Fonts:Linotype Typo American

Designer:Mark Stanczyk

Source:Book “It’s ok I’m wearing
really big knickers”

Fonts:Vectora®

Designer:Adrian Frutiger
Samples

Source:Newspaper Volkskrant

Fonts:Veljovic Script™

Designer:Jovica Veljovic
Samples

Source:Brochure Hochschule
für Angewandte Wissenschaften
Hamburg

Fonts:Vesta™

Designer:Gerard Unger

Source:Signposting University of Reading

Fonts:Vesta™

Designer:Gerard Unger

Source:Signposting University of Reading

Fonts:Veto®

Designer:Marco Ganz

Source:Packaging CD Fred Simon

Fonts:Vialog®

Designer:Werner Schneider,
Helmut Ness

Source:Designed by twotwelve.com

Fonts:Vialog®

Designer:Werner Schneider,
Helmut Ness

Source:Signposting (Expressway, Japan)

Fonts:Wiesbaden Swing

Designer:Rosemarie Kloos-Rau
Samples

Source:Packaging “Bunter Pfeffer”

Fonts:Wiesbaden Swing

Designer:Rosemarie Kloos-Rau

Source:Packaging “Kölln Flocken”