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| A classical font which can often still be found in use in books and magazines.
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| Becket typeface embodies a retro-medieval aesthetic. |
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| An "American" font, dedicated for cinema titles and comics.
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| A casual script face which creates an informal, lively impression.
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| A series of fonts from Lucian Bernhard for various fields of application.
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| The particularly attractive display font.
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| Braggadocio, a very black typeface, is especially suitable for display lines. |
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| Take a trip back to the old west with Buffalo Gal!
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| An example of an up-to-date yet classic typeface.
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| Chevalier is the perfect choice to add a historical touch to logos, posters, or business cards. |
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| Displays a curious mix of style elements and could be placed as a part of the typographical Neorenaissance movement.
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| Can be found on storefronts in almost any city.
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| Script font Coronet is an excellent choice for any personal printed material.
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| The Linotype Ergo expands by condensing and compressing – 14 new styles. |
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| What a fine font!
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| Its wavy contours give the font a restless, choppy feel.
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| One of the most widely used sans serif typefaces even today.
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| Ideal for flyers, ads, posters and headlines.
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| The perfect font for signage and other applications, where the distinctness of characters is of high importance.
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| Monotype Gallia’s design is embodied with the spirit of the American Art Deco age. |
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| A famous, classical font, elegant and timeless.
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| Gill Sans exudes a modern feel due to its clear, generous and original characters.
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| Glypha, a font of Adrian Frutiger, is based on the design of Univers.
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| This typeface looks sturdy but also elegant.
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| The successful reinterpretation of transitional typeface style
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| Hildegard works well in either text or display sizes.
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| Its constructed forms bring a modern feeling to graphic design.
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| An adventurous, energetic display font with an unique look.
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| This dynamic typeface lends your text a classic, formal feel.
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| Includes charming cat, fish and dolphin illustrations.
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| This display font contains very narrow forms with a high x-height.
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| The font with serif and sans serif characters; suitable for books, posters, advertisements and more.
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| Macbeth: a heavy, condensed Art Deco-style typeface. |
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| Named after the writing utensil marker, the stroke endings of Linotype Markin give the font a personal touch.
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| The style of the unusual poster font Mojo, which was very popular in the 1960s, roots in the Art Nouveau period. |
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| Mundo Sans, a humanist sans serif, is now available in OpenType.
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| Due to its clear, legible outlook, Linotype Nautilus is an excellent display type.
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| Nami: a collaboration between Adrian Frutiger and Akira Kobayashi |
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| Looks very “Danish”: Noa from Nina Lee Storm |
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| Designer John Peter was inspired by the letters used by Joan Miro in his paintings.
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| High-rise letters with vigorous curves: Phenix American. |
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| The font with the Arabic feel.
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| Beautiful, finely drawn script font.
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| A font with a contemporary flair.
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| Cool and technical, exclusively intended for headlines in large point sizes.
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| This interesting, informal script font works well in signs, posters, and other display uses. |
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| A type family for a various of typographic requirements.
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| With Samba you can mix three different styles of lettering into one coherent design.
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| The popular ITC Souvenir can be used for multiple typographic purposes.
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| Characterized by its elegant appeareance.
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| To be seen on coffee sacks, boxes, airplanes.
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| The unique contours of Linotype Syntax Lapidar are like those of the chiseled letter forms of the ancient Greeks.
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| An essentially minimalist font.
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| Linotype Tiger is a font with an energetic character; its five weights can be combined experimentally. |
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| A timeless, elegant font.
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| Makes an impression of elegance and strength.
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| A rugged, no-nonsense typeface lifted from an old London printer’s reference books.
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