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Um sich an dieser Schriftauswahl zum Thema Strandparty zu erfreuen, brauchen Sie keinen Sand. Die Designs beschwören verschiedene Bilder herauf, von den Surfern der Sechziger über Tiki-Hütten bis hin zu DJs, die Technomusik am Sommerstrand machen. Ganz gleich, ob Sie eine Party planen, von Reiseabenteuern berichten oder die Verpackung eines Sommerprodukts entwerfen, diese Schriften geben Ihnen genau das Sonnen-und-Spaß-Feeling, das Sie suchen!
Bei diesen 33 Halloween-Fonts ist Grusel-Stimmung garantiert!
Ob Sie ein Kostümfest organisieren, für Halloween-Artikel werben oder einfach eine gespenstische Atmosphäre schaffen wollen, diese Schriften sind genau das, was Sie gesucht haben!
In unserem Halloween Value Pack finden Sie fünf großartige Schriften zum kleinen Preis: drei Grusel-Schriften und zwei furchterregende Pi-Fonts!
Viele andere Designs sind außerdem einzeln erhältlich. Hier finden Sie unsere Auswahl vieler weiterer
[...]Klare Formen, klassisch und schlicht: Die Schriftfamilie Aeonis von Erik Faulhaber
Nach der Generis™ ist die Aeonis™ die zweite große Schriftfamilie von Erik Faulhaber. Vorbild für die serifenlose Grundform der Aeonis war die griechische Lapidarschrift des 9. Jahrhunderts v. Chr. Typisches Merkmal dieser wegen ihrer Deutlichkeit häufig verwendeten Schrift ist die offene Form des Großbuchstabens A. Inspiration für die Rundungen der Aeonis war eine Deckenleuchte des deutschen
[...]Italian designer Alessio Leonardi creates experimental typefaces that capture the Zeitgeist of the 1990s, and are full of charm and wit to boot!
More about the fonts:
F2F Al Retto™
Like a game of Tertis gone awry, Alessio Leonardi’s F2F Al Retto is an alphabet full of boxy, outlined squares that seem to move across lines of text. This typeface should be set large, so that its subtle movement-like qualities may best be observed.
F2F Allineato™
A double wavy outline roughly defines
[...]Born: London, 5 April 1945
Education: Kings College, Taunton, and Cambridge School of Art.
Art director, caricaturist and type designer.
ART DIRECTOR
The Wall Street Journal Europe
1999 –
Die Welt
1998–1999
Redesigned the newspaper; Drew daily editorial cartoons.
Drew logotype for Berliner Morgenpost
International Herald Tribune
1987–1998
Redesigned the newspaper. Drew editorial cartoons.
The New York Times
1978–1987
Designed the Financial sections and business
[...]The British designer Ed Bugg created the fonts Linotype Agogo™ (1997), Kanban™ (1992) and Linotype Sunburst™ (1997). Linotype Agogo and Linotype Sunburst are included in the TakeType Library, chosen from the contestants of Linotype's International Digital Type Design Contests of 1994 and 1997.
Linotype Agogo is reminiscent of the elegant 1920s and 1930s. It is a calligraphy font with five weights, one regular and four swash. The regular weight alone is clear and legible enough even for longer
[...]The designer Roland John Goulsbra created the fonts Linotype Agrafie™ in 1994. This font family is included in the TakeType Library, chosen from the contestants of Linotype's International Digital Type Design Contests of 1994 and 1997.
In 2002 Roland John Goulsbra created the font Linotype Textur™.
The German designer Jörg Herz created the fonts Linotype Short Story™ (1997), Linotype Afrika™ (1999), Linotype Monday Devils™ (1999), Linotype Dasitzt™ (2003) and Linotype Textra™ (2003).
American designer Frank Marciuliano created the following fonts:
Linotype Abstract™ (2002), Linotype Automat™ (2002), Linotype Breeze™ (2002), Linotype Constitution™ (2002), Linotype Isilda™ (2002), ITC Jaft™ (1996), ITC Jambalaya™ (1996), Linotype Labyrinth™ (2002), Linotype Lindy™ (2002), Linotype Mediterraneo™ (2002), ITC Schizoid™ (1997).
Italian designer Alessio Leonardi created the following fonts:
F2F Al Retto™ (1996), F2F Allineato™ (1995), F2F CoolWool™ (1994), HaManga Irregular™ (1994), F2F Madame Butterfly™ (1996), F2F Mekanik Amente™ (1993), F2F Mekkaso Tomanik™ (1994), F2F Metamorfosi™ (1995), F2F Poison Flowers™ (1994), F2F Prototipa Multipla™ (1996), F2F Provinciali™ (1995), F2F Tagliatelle Sugo™ (1996), F2F Ale™ (1994), F2F Simbolico™ (1994).
Take a look at the personal designer portrait of Alessio Leonardi.
German designer Hans-Jürgen Ellenberger created the following fonts:
Linotype Albafire™ (2002), Linotype Albatross™ (2002), Linotype Albawing™ (2002), Linotype Aspect™ (1999), Linotype Beluga™ (2003), Cajoun™ (2002), Carlin Script™ (2002), Linotype Colibri™ (1999), Linotype Escript™ (2003), Linotype Inagur™ (1999), Mateo™ (1994), Linotype Pegathlon™ (1999), Linotype Rana™ (1997), Linotype Traco™ (1999), Linotype Biosymbols™ (2003), Linotype Chemsymbols™ (2003), Linotype Chemtools™ (2003),
[...]Maria Martina Schmitt was born in Vienna (Austria) in 1950. After completing an apprenticeship as a commercial artist at "Graphischen" in her home city, she began working as a graphic designer. For ten years, she worked with the "United States Information Agency" in both Austria and the United States. Projects there led her into the realm of type design, where she worked with PostScript fonts dealing with a number of writing systems, including Armenian and Georgian.
Since 1998, Schmitt has
[...]German designer Gudrun Zapf von Hesse created the following fonts:
Alcuin® (1991), Ariadne® (1954), Carmina® (1986), Christiana® (1991), Colombine® (1991), Diotima® (1952), Diotima® Classic (2008), Nofret® (1984) Shakespeare™ (1968), Smaragd™ (1953).
Please take a look at the personal designer portrait of Gudrun Zapf von Hesse.
The German designer Roman Sehrer created the font Ad Pro™ in 2004.
Roman Sehrer has digitized his handwriting to create a family of three fonts to meet your free-feeling and laid back design needs. He recommends that you try this family out on posters, logos, and restaurant menus, where in each case it will offer a great combination and contrast to traditional sans serifs like Helvetica® or like Univers®.
Born in Germany (1966). Studied Graphic-Design in Karlsruhe. Freelance designer since 1996. Held teaching assignments in Halle, Weimar and Wuppertal.
In 2006 Erik Faulhaber designed Generis®. Generis is a system of four compatible typeface families, each variant drawn in a different generic style, perfectly suitable for almost any design application.
In 2009, Erik Faulhaber created Aeonis™, a classic-style sans serif typeface family with a clear, minimalistic design.
The Website of
[...]Ismet Chanbour created the fonts Al Harf Al Jadid™ (1980) and Mariam® (1992).
Al Harf Al Jadid is a traditional-style Arabic display typeface. Al Harf Al Jadid Two is an outline version of Al Harf Al Jadid One. Although their design is ultra bold, its forms remain a readable Naskh, in response to the needs of secular lettering for emphatic headlines and signs. Al Harf Al Jadid One and Two are characterized by a distinctive, strong baseline-stroke, reminiscent of a similar
[...]Ahmed™ is a modern Arabic headline face, first produced by Linotype-Hell Ltd. in the early 1980s.
Originally developed as a simplified face, its design recalls the inscriptional and decorative tile work lettering of the medieval period. The strong treatment of the tails of certain characters departs from the more traditional style of tapering these finials, introducing a modern feel to the design.
The contrasting proportions of the tall vertical strokes and the rather elongated counters
[...]Linotype Afrika™ One and Two
Designed by Jörg Herz, senior designer "die argonauten" (Munich)
Jörg Herz about Linotype Afrika™:
“Linotype Afrika is a font which was designed after an educational journey through Zimbabwe.
The font was developed from forms which can be found in the streets, especially in Harare where past, present and future co-exist side by side. The font can be used, for an African feel or theme – Africa as described traditionally as well as the modern
[...]Hans-Jürgen Ellenberger about the font Linotype Albawing™:
Linotype Albawing is the text type that is derived from the original idea for Albatross. The sketches were done with Fontographer 3.5 using the simplified outlines of Albatross. Linotype Albawing is an agile, lively and elegant font and well-suited for headlines, posters and advertisements.
Works and Samples of Richard Yeend
