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See below Reporter™ #2 Font Family or other typefaces from the in real usage ...
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Documents referring to these items ...
Carlos Winkow, born 6. February 1882 in Sömmerda, died 16. January 1952, designed Reporter™ in 1938 for the Wagner foundry. The strokes of this interesting script have the texture of dry brushwritten letters. The alignment is slightly irregular, giving it a spontaneous feeling. Reporter # 2 is a slightly simplified version of the original Reporter, without the numerous small white strokes inside its stems, which gave the original a scribbly effect. The font is bold and informal; it works well [...]
Carlos Winkow designed Reporter in 1938 for the Wagner foundry. The strokes of this interesting script have the texture of dry brushwritten letters. The alignment is slightly irregular, giving it a spontaneous feeling. Reporter™ #2 is a slightly simplified version of the original Reporter, without the numerous small white strokes inside its stems, which gave the original a scribbly effect. The font is bold and informal. It works well in signs, posters, and other display uses.
Click here to see [...]
Carlos Winkow designed Reporter in 1938 for the Wagner foundry. The strokes of this interesting script have the texture of dry brushwritten letters. The alignment is slightly irregular, giving it a spontaneous feeling. Reporter™ #2 is a slightly simplified version of the original Reporter, without the numerous small white strokes inside its stems, which gave the original a scribbly effect. The font is bold and informal. It works well in signs, posters, and other display uses.
Click here to see [...]
About Reporter™ #2 Font Family ...
Designer: Carlos Winkow, 1938
The Reporter™ #2 Font Family is part of the Assorted Collection.
Carlos Winkow designed Reporter in 1938 for the Wagner foundry. The strokes of this interesting script have the texture of dry brushwritten letters. The alignment is slightly irregular, giving it a spontaneous feeling. Reporter No. 2 is a slightly simplified version of the original Reporter, without the numerous small white strokes inside its stems, which gave the original a scribbly effect. The font is bold and informal. It works well in signs, posters, and other display uses.
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