Origami™ Font Family

Origami™ Regular (Assorted Collection) More details ... Add to shopping cart Price from: US$ 26.00

Origami™ Italic (Assorted Collection) More details ... Add to shopping cart Price from: US$ 26.00

Origami™ Medium (Assorted Collection) More details ... Add to shopping cart Price from: US$ 26.00

Origami™ Medium Italic (Assorted Collection) More details ... Add to shopping cart Price from: US$ 26.00

Origami™ Semi Bold (Assorted Collection) More details ... Add to shopping cart Price from: US$ 26.00

Origami™ Semi Bold Italic (Assorted Collection) More details ... Add to shopping cart Price from: US$ 26.00

Origami™ Bold (Assorted Collection) More details ... Add to shopping cart Price from: US$ 26.00

Origami™ Bold Italic (Assorted Collection) More details ... Add to shopping cart Price from: US$ 26.00

Origami™ Complete Family Value Pack (Assorted Collection) More details ... Add to shopping cart Price from: US$ 179.00

Origami™ Complete Family Value Pack (Assorted Collection) More details ... Add to shopping cart Price from: US$ 195.00

From Carl’s early interest in calligraphy and drawing, through his youth and college years studying fine arts and book arts, to his eventual degree from Rochester Institute of Technology in Printing/Typography, the constant thread has been Carl’s fascination with letterforms. Before he knew there was such a thing as typeface design, he was assembling alphabets, drawing letters and poring over lettering guides. At RIT, Carl discovered the world of type design and began digitizing [...]

Font Designer: Carl Crossgrove, 1998 In spite of its angular appearance, Origami™ is composed almost exclusively of curves. Designer Carl Crossgrove derived the typeface from experiments in designing a low resolution type. The resulting face is reminiscent of Eastern European expressionist designers such as Oldrich Menhart and Vojtech Preissig. It is paired with an equally angular chancery italic. Origami works effectively for short blocks of text or at display sizes, while the [...]

In spite of its angular appearance, Origami is composed almost exclusively of curves. Designer Carl Crossgrove derived the typeface from experiments in designing a low resolution type. The resulting face is reminiscent of Eastern European expressionist designers such as Oldrich Menhart and Vojtech Preissig. It is paired with an equally angular chancery italic. Origami works effectively for short blocks of text or at display sizes, while the capitals are especially suitable for titles.