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Garamond Premier Italic

- by Robert Slimbach
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Garamond Premier Pro Italic
  Format: OpenType Pro

Price: US$ 35.00
  
... is part of the Garamond Premier Font Family, comprising altogether 34 fonts in OpenType Pro format.
Character set features:
euro smallcaps osf supersub swashes alternates ornaments isoadobe2 adobece
2556 characters
Character maps: Encoding map   
Linked font group:
Garamond Premier Pro Roman
Garamond Premier Pro Italic
Garamond Premier Pro Bold
Garamond Premier Pro Bold Italic
Put the core family into shopping cart Add font group
Product is contained in:
The Adobe Type Collection OpenType Edition Version One
Garamond Premier Pro Complete Family Value Pack
Garamond Premier Pro Opticals Complete Family Value Pack
Technical information  

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Documents referring to this product ...

Robert Slimbach was born in 1956 in Evanston, Illinois, USA. Shortly after, he arrived in South California where he spent his childhood and his youth. After leaving college he developed an interest in graphic design and typefaces while running a small screen printshop for manufacturing posters and greeting cards. This work brought him into contact with "Autologic Incorporation" in Newbury Park, CA. After training from 1983 to 1985, Robert Slimbach worked as a font designer with [...]
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About Garamond Premier Italic ...

Linotype usage sample for Garamond Premier Pro Italic
Designer: Robert Slimbach, 2005
Garamond Premier Italic belongs to the Garamond Premier Font Family which is part of the Assorted Collection.
Claude Garamond (ca. 1480-1561) cut types for the Parisian scholar-printer Robert Estienne in the first part of the sixteenth century, basing his romans on the types cut by Francesco Griffo for Venetian printer Aldus Manutius in 1495. Garamond refined his romans in later versions, adding his own concepts as he developed his skills as a punchcutter. After his death in 1561, the Garamond punches made their way to the printing office of Christoph Plantin in Antwerp, where they were used by Plantin for many decades, and still exist in the Plantin-Moretus museum. Other Garamond punches went to the Frankfurt foundry of Egenolff-Berner, who issued a specimen in 1592 that became an important source of information about the Garamond types for later scholars and designers. In 1621, sixty years after Garamond's death, the French printer Jean Jannon (1580-1635) issued a specimen of typefaces that had some characteristics similar to the Garamond designs, though his letters were more asymmetrical and irregular in slope and axis. Jannon's types disappeared from use for about two hundred years, but were re-discovered in the French national printing office in 1825, when they were wrongly attributed to Claude Garamond. Their true origin was not to be revealed until the 1927 research of Beatrice Warde. In the early 1900s, Jannon's types were used to print a history of printing in France, which brought new attention to French typography and the "Garamond" types. This sparked the beginning of modern revivals; some based on the mistaken model from Jannon's types, and others on the original Garamond types. Italics for Garamond fonts have sometimes been based on those cut by Robert Granjon (1513-1589), who worked for Plantin and whose types are also on the Egenolff-Berner specimen. Linotype has several versions of the Garamond typefaces. Though they vary in design and model of origin, they are all considered to be distinctive representations of French Renaissance style; easily recognizable by their elegance and readability.

Garamond Pemiere Pro was designed by Robert Slimbach, and released in 2005.

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Page last edited: 2008-02-27