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Times® Font Family

- by Stanley Morison
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Times® Roman (Linotype Originals)
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Times® Roman SC (Linotype Originals)
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Times® Italic (Linotype Originals)
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Times® Italic OsF (Linotype Originals)
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Times® Semibold (Linotype Originals)
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Times® Semibold Italic (Linotype Originals)
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Times® Bold (Linotype Originals)
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Times® Bold SC (Linotype Originals)
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Times® Bold Italic (Linotype Originals)
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Times® Bold Italic OsF (Linotype Originals)
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Times® Phonetic Pi Ipa (Linotype Originals)
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Times® Phonetic Pi Alt (Linotype Originals)
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Times® Central European Roman (Linotype Originals)
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Times® Central European Italic (Linotype Originals)
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Times® Central European Bold (Linotype Originals)
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Times® Central European Bold Italic (Linotype Originals)
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Times® Phonetic Pi Ipa (Linotype Originals)
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Times® Phonetic Pi Alt (Linotype Originals)
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Times Central European Complete Family Pack (Linotype Originals)
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Times Complete Family Pack (Linotype Originals)
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Price from: US$ 175.00
     
     

Documents referring to these items ...

Customers from all over the world come to Linotype.com every day to purchase fonts. Below is a list of the 20 typeface families that our customers licensed most often in during 2008. Do you know them all?
Stanley Morison – born 6. 5. 1889 in Wanstead, England, died 11. 10. 1967 in London, England – typographer, type designer. 1913–14: works for "The Imprint". 1914–18: is sent to prison as a conscientious objector. 1919–21: works for Pelican Press and from 1921–23 for Cloister Press in Manchester. 1923–30: co-editor of "The Fleuron" magazine with Holbrook Jackson, Francis Meynell, B. H. Newdigate and Oliver Simon. 1923–67: typography consultant to the Monotype Corporation. From 1923 onwards: [...]
Linotype previously had three design studios located around the globe: Mergenthaler Linotype, in the United States, was founded in Brooklyn, but later moved to Melville, NY, and then to Hauppauge, NY. Mergenthaler Linotype's design studio employed at varying times up to 80 designers under the direction of Chauncey H. Griffith, Jackson Burke, Mike Parker, and Matthew Carter. In continental Europe, Linotype typefaces were produced by the D. Stempel AG typefoundry in Frankfurt, Germany. [...]
Find further Font Features in our Font Feature Archive. Typographic Tip of the Month from Linotype’s Type Director Akira Kobayashi! June 2006: “Apostrophes and Quotation Marks” Which glyph is correct: the inch, the acute, or the apostrophe? – This feature describes the poper use of the pesky punctuation mark that signifies omission and forms the possessive (and sometimes plurals). Apostrophes Prime symbol, used here to incorrectly create the [...]

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About Times® Font Family ...

Linotype usage sample for
Designer: Stanley Morison, 1931
The Times® Font Family is part of the Linotype Originals.
In 1931, The Times of London commissioned a new text type design from Stanley Morison and the Monotype Corporation, after Morison had written an article criticizing The Times for being badly printed and typographically behind the times. The new design was supervised by Stanley Morison and drawn by Victor Lardent, an artist from the advertising department of The Times. Morison used an older typeface, Plantin, as the basis for his design, but made revisions for legibility and economy of space (always important concerns for newspapers). As the old type used by the newspaper had been called "Times Old Roman," Morison's revision became "Times New Roman." The Times of London debuted the new typeface in October 1932, and after one year the design was released for commercial sale. The Linotype version, called simply "Times," was optimized for line-casting technology, though the differences in the basic design are subtle. The typeface was very successful for the Times of London, which used a higher grade of newsprint than most newspapers. The better, whiter paper enhanced the new typeface's high degree of contrast and sharp serifs, and created a sparkling, modern look. In 1972, Walter Tracy designed Times Europa for The Times of London. This was a sturdier version, and it was needed to hold up to the newest demands of newspaper printing: faster presses and cheaper paper. In the United States, the Times font family has enjoyed popularity as a magazine and book type since the 1940s. Times continues to be very popular around the world because of its versatility and readability. And because it is a standard font on most computers and digital printers, it has become universally familiar as the office workhorse. Times™, Times™ Europa, and Times New Roman™ are sure bets for proposals, annual reports, office correspondence, magazines, and newspapers.
Linotype offers many versions of this font:
Times™ is the universal version of Times, used formerly as the matrices for the Linotype hot metal line-casting machines. The basic four weights of roman, italic, bold and bold italic are standard fonts on most printers. There are also small caps, Old style Figures, phonetic characters, and Central European characters.
Times™ Ten is the version specially designed for smaller text (12 point and below); its characters are wider and the hairlines are a little stronger. Times Ten has many weights for Latin typography, as well as several weights for Central European, Cyrillic, and Greek typesetting.
Times™ Eighteen is the headline version, ideal for point sizes of 18 and larger. The characters are subtly condensed and the hairlines are finer.
Times™ Europa is the Walter Tracy re-design of 1972, its sturdier characters and open counterspaces maintain readability in rougher printing conditions.
Times New Roman™ is the historic font version first drawn by Victor Lardent and Stanley Morison for the Monotype hot metal caster.
Be inspired by this product! Find it and others in the inspirations section: Serif Fonts, Corporate Fonts.

Times is a trademark of Linotype Corp. registered in the U.S. Patent and Trademark Office and may be registered in certain other jurisdictions in the name of Linotype Corp. or its licensee Linotype GmbH.

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Page last edited: 2009-06-02