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ITC Bodoni™ Brush Regular

- by John Viner
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ITC Bodoni™ Brush Std Regular
  Format: OpenType Std

Price: US$ 29.00
  
Character set features:
euro isoadobe2
253 characters
Character maps: Encoding map   
Product is contained in:
The ITC Library OpenType Edition Version One
Technical information  

Other families by this designer ...

Linotype Font Sample for ITC Bodoni™ Brush by Linotype Font Family
Linotype Font Sample for Tiger Rag™ Font Family
Linotype Font Sample for ITC Viner Hand® Font Family

Documents referring to this product ...

Giabattista Bodoni – born 16. 2. 1740 in Saluzzo, Piedmont, Italy, died 30. 11. 1813 in Parma, Italy – engraver, type designer, typographer, printer, publisher. 1758–66: typesetter in the Vatican’s Propaganda Fide printing works. 1766: the Duke of Parma invites Bodoni to set up an run a printing works. 1768: begins working in the Stamperia Reale. 1770: opens his own type foundry. 1771: publishes his first typographical contribution "Fregi e Majuscole". 1782: Charles III of Spain names Bodoni [...]
John Viner created the fonts ITC Bodoni Brush™ (1995), Tiger Rag™ (1989) and ITC Viner Hand™ (1995). These Font Families are part of the ITC Library OpenType Edition.

About ITC Bodoni™ Brush Regular ...

Linotype usage sample for ITC Bodoni™ Brush Std Regular
Designer: John Viner, 1995
ITC Bodoni™ Brush Regular belongs to the ITC Bodoni™ Brush Font Family which is part of the ITC Collection.
Giambattista Bodoni (1740-1813) was called the King of Printers; he was a prolific type designer, a masterful engraver of punches and the most widely admired printer of his time. His books and typefaces were created during the 45 years he was the director of the fine press and publishing house of the Duke of Parma in Italy. He produced the best of what are known as "modern" style types, basing them on the finest writing of his time. Modern types represented the ultimate typographic development of the late eighteenth and early nineteenth centuries. They have characteristics quite different from the types that preceded them; such as extreme vertical stress, fine hairlines contrasted by bold main strokes, and very subtle, almost non-existent bracketing of sharply defined hairline serifs. Bodoni saw this style as beautiful and harmonious-the natural result of writing done with a well-cut pen, and the look was fashionable and admired. Other punchcutters, such as the Didot family (1689-1853) in France, and J. E. Walbaum (1768-1839) in Germany made their own versions of the modern faces. Even though some nineteenth century critics turned up their noses and called such types shattering and chilly, today the Bodoni moderns are seen in much the same light as they were in his own time. When used with care, the Bodoni types are both romantic and elegant, with a presence that adds tasteful sparkle to headlines and advertising.

ITC Bodoni™ was designed by a team of four Americans, after studying Bodoni's steel punches at the Museo Bodoniana in Parma, Italy. They also referred to specimens from the "Manuale Tipografico," a monumental collection of Bodoni's work published by his widow in 1818. The designers sought to do a revival that reflected the subtleties of Bodoni's actual work. They produced three size-specific versions; ITC Bodoni Six for captions and footnotes, ITC Bodoni Twelve for text settings, and ITC Bodoni Seventytwo - a display design modeled on Bodoni's 72-point Papale design. ITC Bodoni includes regular, bold, italics, Old style Figures, small caps, and italic swash fonts. Sumner Stone created the ornaments based on those found in the "Manuale Tipografico." These lovely dingbats can be used as Bodoni did, to separate sections of text or simply accent a page layout or graphic design.

ITC Bodoni is a trademark of International Typeface Corporation and may be registered in certain jurisdictions.

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Page last edited: 2008-10-08