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Times® Pro Bold
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| Price: | US$ 35.00 |
| ... is part of the Times® Font Family, comprising altogether 6 fonts in OpenType Pro format. |
| Character set features: |
590 characters |
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| Product is contained in: | In this format only available as single font. | |
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Times® Std Bold
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| Price: | US$ 29.00 |
| ... is part of the Times® Font Family, comprising altogether 7 fonts in OpenType Std format. |
| Character set features: |
408 characters |
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Times® Bold
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| Price: | US$ 26.00 |
| ... is part of the Times® Font Family, comprising altogether 14 fonts in Windows TrueType format. |
| Character set features: |
234 characters |
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Times® Bold
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| Price: | US$ 26.00 |
| ... is part of the Times® Font Family, comprising altogether 18 fonts in Windows PostScript format. |
| Character set features: |
233 characters |
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Times® Bold
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| Price: | US$ 26.00 |
| ... is part of the Times® Font Family, comprising altogether 18 fonts in Mac PostScript format. |
| Character set features: |
247 characters |
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Customers from all over the world come to Linotype.com every day to purchase fonts. Below is a list of the 20 typeface families that our customers licensed most often in during 2008. Do you know them all?
Stanley Morison – born 6. 5. 1889 in Wanstead, England, died 11. 10. 1967 in London, England – typographer, type designer.
1913–14: works for "The Imprint". 1914–18: is sent to prison as a conscientious objector. 1919–21: works for Pelican Press and from 1921–23 for Cloister Press in Manchester. 1923–30: co-editor of "The Fleuron" magazine with Holbrook Jackson, Francis Meynell, B. H. Newdigate and Oliver Simon. 1923–67: typography consultant to the Monotype Corporation. From 1923 onwards: [...]
Find further Font Features in our Font Feature Archive.
Typographic Tip of the Month from Linotype’s Type Director Akira Kobayashi!
June 2006: “Apostrophes and Quotation Marks”
Which glyph is correct: the inch, the acute, or the apostrophe? – This feature describes the poper use of the pesky punctuation mark that signifies omission and forms the possessive (and sometimes plurals).
Apostrophes
Prime symbol, used here to incorrectly create the [...]
About Times® Bold ...
Designer: Stanley Morison, 1931
Times® Bold belongs to the Times® Font Family which is part of the Linotype Originals.
In 1931, The Times of London commissioned a new text type design from Stanley Morison and the Monotype Corporation, after Morison had written an article criticizing The Times for being badly printed and typographically behind the times. The new design was supervised by Stanley Morison and drawn by Victor Lardent, an artist from the advertising department of The Times. Morison used an older typeface, Plantin, as the basis for his design, but made revisions for legibility and economy of space (always important concerns for newspapers). As the old type used by the newspaper had been called "Times Old Roman," Morison's revision became "Times New Roman." The Times of London debuted the new typeface in October 1932, and after one year the design was released for commercial sale. The Linotype version, called simply "Times," was optimized for line-casting technology, though the differences in the basic design are subtle. The typeface was very successful for the Times of London, which used a higher grade of newsprint than most newspapers. The better, whiter paper enhanced the new typeface's high degree of contrast and sharp serifs, and created a sparkling, modern look. In 1972, Walter Tracy designed Times Europa for The Times of London. This was a sturdier version, and it was needed to hold up to the newest demands of newspaper printing: faster presses and cheaper paper. In the United States, the Times font family has enjoyed popularity as a magazine and book type since the 1940s. Times continues to be very popular around the world because of its versatility and readability. And because it is a standard font on most computers and digital printers, it has become universally familiar as the office workhorse. Times™, Times™ Europa, and Times New Roman™ are sure bets for proposals, annual reports, office correspondence, magazines, and newspapers.Linotype offers many versions of this font:
Times™ is the universal version of Times, used formerly as the matrices for the Linotype hot metal line-casting machines. The basic four weights of roman, italic, bold and bold italic are standard fonts on most printers. There are also small caps, Old style Figures, phonetic characters, and Central European characters.
Times™ Ten is the version specially designed for smaller text (12 point and below); its characters are wider and the hairlines are a little stronger. Times Ten has many weights for Latin typography, as well as several weights for Central European, Cyrillic, and Greek typesetting.
Times™ Eighteen is the headline version, ideal for point sizes of 18 and larger. The characters are subtly condensed and the hairlines are finer.
Times™ Europa is the Walter Tracy re-design of 1972, its sturdier characters and open counterspaces maintain readability in rougher printing conditions.
Times New Roman™ is the historic font version first drawn by Victor Lardent and Stanley Morison for the Monotype hot metal caster.
Search this or similar products by the following keywords: 1600s, 17th century, Ads, Advertisment, Advertisments, anno 1600, Announcements, British, Business Cards, Catalogs, Catalogues, certificate, Cheap, English, Headline, Inexpensive, Instructions, Invitation, Magazine, Manuals, Newsletters, Newspaper, OpenType, OT, Professional, Readable, Serif, Std, Transitional, Urkunde.
Times is a trademark of Linotype Corp. registered in the U.S. Patent and Trademark Office and may be registered in certain other jurisdictions in the name of Linotype Corp. or its licensee Linotype GmbH.
Quality features
The Platinum Collection is the exclusive series of optimized classic typefaces from the Linotype Library.
XSF-Fonts are OpenType or TrueType fonts with an excellent appearance on screen at small sizes or low resolutions – especially engineered and optimized for exceptionally readable typefaces on computer screens using Microsoft® Windows operating systems.
XSF-Fonts are OpenType or TrueType fonts with an excellent appearance on screen at small sizes or low resolutions – especially engineered and optimized for exceptionally readable typefaces on computer screens using Microsoft® Windows operating systems.
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