|
|
Serifa® Std 46 Light Italic
|
| Price: | US$ 29.00 |
| ... is part of the Serifa® Font Family, comprising altogether 6 fonts in OpenType Std format. |
| Character set features: |
   253 characters 
|
|||||
|---|---|---|---|---|---|---|
| Character maps: | Encoding map | |||||
| Linked font group: |
|
|||||
| Product is contained in: |
|
|||||
| Technical information | ||||||
Serifa® 46 Light Italic
|
| Price: | US$ 26.00 |
| ... is part of the Serifa® Font Family, comprising altogether 6 fonts in Windows TrueType format. |
| Character set features: |
231 characters
|
|||||||
|---|---|---|---|---|---|---|---|---|
| Character maps: | Encoding map | |||||||
| Linked font group: |
|
|||||||
| Product is contained in: |
|
|||||||
| Technical information | ||||||||
Serifa® 46 Light Italic
|
| Price: | US$ 26.00 |
| ... is part of the Serifa® Font Family, comprising altogether 6 fonts in Windows PostScript format. |
| Character set features: |
232 characters
|
|||||||
|---|---|---|---|---|---|---|---|---|
| Character maps: | Encoding map | |||||||
| Linked font group: |
|
|||||||
| Product is contained in: |
|
|||||||
| Technical information | ||||||||
Serifa® 46 Light Italic
|
| Price: | US$ 26.00 |
| ... is part of the Serifa® Font Family, comprising altogether 6 fonts in Mac PostScript format. |
| Character set features: |
247 characters
|
|||||||
|---|---|---|---|---|---|---|---|---|
| Character maps: | Encoding map | |||||||
| Linked font group: |
|
|||||||
| Product is contained in: |
|
|||||||
| Technical information | ||||||||
Customers who bought this also bought ...
Other families by this designer ...
Documents referring to this product ...
Introduction
Many typeface catalogs, including our own, group all serif typefaces together under one umbrella-category. But in truth, there are many different kinds of serifs, e.g., Renaissance serifs, baroque serifs, unbracketed modern serifs, Latin serifs, wedge serifs, etc. One of the most popular styles of seriffed letter, especially for display type, remains the slab serif.
The slab serif is a genre of letterforms that has been in use for almost 200 years. Throughout this time, many [...]
Adrian Frutiger has spent decades working very closely with Linotype. In the many years of this fruitful collaboration, we’ve accumulated a number of photographs of Adrian Frutiger. These images show glimpses of the different periods and highlights of his life so far, including pictures of him working in his studio, moments of him along with his typefaces, and even more recent shots of him working together with Akira Kobayashi.
We hope that you enjoy browsing through these images.
3. Frutiger
Frutiger® – the sans serif classic.
Get the original from Linotype as single fonts, in a Value Pack, or on CD.
About Frutiger
Famous type designer Adrian Frutiger created a masterpiece with this typeface. Faced with the challenge of designing an exceptionally legible type for the signs of the Charles de Gaulle Airport in Paris, he developed the now legendary Frutiger in 1968. The original Linotype typeface has since been expanded to include 14 weights and is of course not just [...]
Über die Lesbarkeit
Unter dem Einfluss der verschieden Druckverfahren hat die lateinische Textschrift subtile Formveränderungen erfahren. Grundsätzlich neue Formen sind jedoch keine entstanden. Als Demonstration dafür sind acht a in den meistgelesenen Schriftstilen mit einem Drehraster versehen und übereinander kopiert. Das Resultat zeigt eine erstaunliche Übereinstimmung.
Portrait
We can read because we perceive elements and forms which are familiar to us. So in order to even recognize words, we must first decipher the elements which make up the shapes of the letters – a process which involves the interplay of myriad aspects. To a certain degree, many of us are aware of these aspects. Yet Adrian Frutiger knows about such shifting dynamics in perception in a way no other person can, as he has been instrumental in researching the subject and over several decades [...]
OCR™
OCR A and OCR B are standardized, monospaced fonts designed for "Optical Character Recognition" on electronic devices. OCR A was developed to meet the standards set by the American National Standards Institute in 1966 for the processing of documents by banks, credit card companies and similar businesses. This font was intended to be "read" by scanning devices, and not necessarily by humans. However, because of its "techno" look, it has been re-discovered for advertising and display [...]
About Serifa® 46 Light Italic ...
Designer: Adrian Frutiger, 1968
Serifa® 46 Light Italic belongs to the Serifa® Font Family which is part of the Assorted Collection.
The Swiss designer Adrian Frutiger developed Serifa® in 1964, and it was released by the Bauer Type Foundry in 1967. He based the shapes in Serifa on those in Univers, the sans serif family he designed in the 1950s. While Serifa retains the geometric, linear skeletons of Univers, it has the addition of unbracketed square serifs, a squatter x-height, and boxier caps. Because of these characteristics, Serifa is a true representative of the slab serif (or Egyptian) style. Slab serifs designs first emerged at the beginning of the nineteenth century and have had a couple popular revivals in the twentieth century. Serifa is surprisingly elegant and legible, and with its six weights, it functions well in both text and display typography. See also Glypha, which is a condensed version of Serifa.
Search this or similar products by the following keywords: 1970s, 70s, anno 1970, Book, Casual, Classic, Elegant, Fine, Frosty, Frutiger, Headline, Invitation, Lexica, Magazine, Newspaper, OpenType, OT, Professional, Serif, Slab Serif, Std, Text.
Quality features
The Platinum Collection is the exclusive series of optimized classic typefaces from the Linotype Library.
XSF-Fonts are OpenType or TrueType fonts with an excellent appearance on screen at small sizes or low resolutions – especially engineered and optimized for exceptionally readable typefaces on computer screens using Microsoft® Windows operating systems.
XSF-Fonts are OpenType or TrueType fonts with an excellent appearance on screen at small sizes or low resolutions – especially engineered and optimized for exceptionally readable typefaces on computer screens using Microsoft® Windows operating systems.
Character set features
Here you can see how many characters the font contains.
The shown symbols give you an impression about the kind of characters the font contains.
You can create a sample using this font.
Character maps
Click in Encoding map to see the characters grouped by the encondings contained in this font.
Product is contained in
Here you can see the names of all products, which contain this font.
Click in the product name to see the product.
Source of digital data
The digital data of a font may be delivered by different digitizing foundries. The entry shows the foundry which digitized this font.
OpenType outline flavour
This information tells you, which technology (PostScript or TrueType) has been used to build the characters of this OpenType font.
Technical font names
Here you learn the names of this font: as a file on a data carrier or in the menus of certain applications after installation.
Catalog material number
This material number uniquely identifies this product.
You can use it to order this product.
For further information do not hesitate to contact us via:
| Phone: | +49 (0) 6172 484-418 |
| Fax: | +49 (0) 6172 484-499 |
| e-mail: | info@linotype.com |
Copyright © 2009 Linotype GmbH. All rights reserved.
We reserve the right of errors and changes.
We reserve the right of errors and changes.