New Caledonia® Font Family

New Caledonia® Roman (Linotype Originals) More details ... Add to shopping cart Price from: US$ 26.00

New Caledonia® Roman SC (Linotype Originals) More details ... Add to shopping cart Price from: US$ 26.00

New Caledonia® Italic (Linotype Originals) More details ... Add to shopping cart Price from: US$ 26.00

New Caledonia® Italic OsF (Linotype Originals) More details ... Add to shopping cart Price from: US$ 26.00

New Caledonia® Semi Bold (Linotype Originals) More details ... Add to shopping cart Price from: US$ 26.00

New Caledonia® Semi Bold Italic (Linotype Originals) More details ... Add to shopping cart Price from: US$ 26.00

New Caledonia® Bold (Linotype Originals) More details ... Add to shopping cart Price from: US$ 26.00

New Caledonia® Bold SC (Linotype Originals) More details ... Add to shopping cart Price from: US$ 26.00

New Caledonia® Bold Italic (Linotype Originals) More details ... Add to shopping cart Price from: US$ 26.00

New Caledonia® Bold Italic OsF (Linotype Originals) More details ... Add to shopping cart Price from: US$ 26.00

New Caledonia® Black (Linotype Originals) More details ... Add to shopping cart Price from: US$ 26.00

New Caledonia® Black Italic (Linotype Originals) More details ... Add to shopping cart Price from: US$ 26.00

New Caledonia Complete Family Pack (Linotype Originals) More details ... Add to shopping cart Price from: US$ 195.00

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Mergenthaler was so confident in Dwiggins’ potential as a type designer that in May 1929 they signed him to an exclusive contract (at $ 2500 per year) months before his sans serif was completed. The company wanted to snatch him away from potential rivals such as American Type Founders, Barnhart Brothers & Spindler and Continental Typefounders, all of whom had expressed an interest in commissioning type from him. The National Display Alphabet Co., makers of Innes Alphabets – alphabets [...]

Dwiggins’ decision to get out of advertising had been building for six or seven years. In March 1922 he found himself unable to complete a job for his friend Carl Purington Rollins, printer to Yale University. “I am really puzzled to know what has bitten me, some kind of stage-fright, or else I am nicked for the time being in my inventive faculties. Other work has gone sour in the same manner.” The problem was not stage-fright but adult-onset diabetes, the same disease that [...]

Caledonia was designed by William A. Dwiggins in 1939 and originally appeared under the name Cornelia with the Mergenthaler typesetting machine factory in Berlin. Dwiggins conceived of this typeface as a reworking of the Scotch Roman which was designed for Mergenthaler Linotype in New York. The neotransitional Caledonia has serene, vertical forms, unflexed serifs, and a transitional style italic. Linotype reworked the typeface in 1982 and released it as New Caledonia. This large typeface family is perfect for large amounts of text due to the fine weight differences it allows. Caledonia's cool, classic look can be used in almost any application.