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Documentos que se refieren a estos artículos ...
Introducción
Vuelva a disfrutar de las mejores fuentes Linotype de los últimos 10 años. Y decimos vuelva porque ha estado en contacto con estos diseños en su entorno visual durante mucho tiempo.
Desde finales de los 90 del siglo pasado, Linotype ha introducido nuevas fuentes tipográficas en el mercado que han cambiado la forma en la que se comunica el mundo. Muchas de nuestras fuentes se pueden encontrar en ordenadores de cualquier rincón del globo y unas pocas se han convertido en [...]
The Linotype Easter Font Selection
The change of seasons brings a breath of fresh air into our daily routine. It is time to open the windows and let the sun in! Invite your neighbors over for tea, or if the weather is right, a BBQ! The fonts you’ll need are now all viewable here in this specially edited selection.
Aquí encontrará una selección de gemas tipográficas ocultas. Puede que ya conozca algunos de estos diseños … ¿pero los conoce todos?
Esperamos que se divierta navegando por esta selección.
Hildegard, designed by German designer Jan Sonntag, is a sans serif text face that works well in both larger and smaller point sizes. On close inspection on will discover of world of subtle angle variation within the letters' structure, that is loosely inspired the stroke movements one uses in calligraphy. These built-up strokes create visible ink traps at many joints, which in smaller sizes play a functional as well as an aesthetic roll.
The Hildegard family of typefaces may be used in [...]
The Polish designer Franciszek Otto has created several typefaces for Linoytpe, including Linotype Notec™ (1999), Brda™ (2003), JP2™ (2008), and Waza™ (2008).
Linotype Notec is a winner font of Linotype’s 3rd International Digital Type Design Contest.
Brda was originally developed the Powiat weekly newspaper. The family was one of the winners selected in Linoytpe’s 4th International Type Design Contest (2004).
JP2 is based on the handwriting of Pope John Paul II, and Waza was inspired [...]
Gustavs Andrejs Grinbergs was born in 1943 in Riga, Latvia. He is a member of the Latvian Association of Artists.
Activities in the following creative areas: publication design, advertising design, logos and art production.
Gustavs A. Grinbergs about himself:
"In 1987 in addition to the traditional tools such as brush, indian ink and paper, I started using digital technology for type design. Since then my main fields of work are creating my own original typeface designs and adapting Latin [...]
The German designer Karin Huschka created the fonts Linotype Authentic™ (1999), Chineze Dragon™ (2002) and Picture Yourself™ (2003, with Peter Huschka).
The text font Linotype Authentic is part of the TakeType Library, chosen from the entries of the 1999 International Digital Type Design Contest.
Picture Yourself was a winner in the 2003 International Type Design Contest, sponsored by Linotype GmbH.
The German designer Peter Huschka created the fonts Linotype Sinah™ (1994), Linotype Chineze™ (2002) and Picture Yourself™ (2003, with Karin Huschka).
Linotype Sinah is part of the TakeType Library, chosen from the entries of the 2nd International Digital Type Design Contests of 1994 and 1997.
Picture Yourself was a winner in the 2003 International Type Design Contest, sponsored by Linotype GmbH.
Ralf Weissmantel created the fonts Linotype Contacta™ (1994) and Boogie™ (2003).
Linotype Contacta is part of the TakeType Library, chosen from contestants of Linotype's International Digital Type Design Contests of 1994 and 1997. Weissmantel designed this font to display no stroke contrast at all. Instead of using conventional letter forms, Contacta is a more designed-oriented font, with some characters recognizable only in context, not necessarily at first glance. The technical, [...]
German designer Hans-Jürgen Ellenberger created the following fonts:
Linotype Albafire™ (2002), Linotype Albatross™ (2002), Linotype Albawing™ (2002), Linotype Aspect™ (1999), Linotype Beluga™ (2003), Cajoun™ (2002), Carlin Script™ (2002), Linotype Colibri™ (1999), Linotype Escript™ (2003), Linotype Inagur™ (1999), Mateo™ (1994), Linotype Pegathlon™ (1999), Linotype Rana™ (1997), Linotype Traco™ (1999), Linotype Biosymbols™ (2003), Linotype Chemsymbols™ (2003), Linotype Chemtools™ (2003), [...]
Eduardo Manso is graphic and type designer. He is born in Argentina, in 1972. Studied graphic
design in the School of Visual Arts "Martín A. Malharro" of Mar del Plata, Argentina. He has attended the graduated degree course “Design and visual communication” in the “Universidad Nacional de Mar del Plata”. Eduardo Manso has designed and published several types through ITC (International Typeface Corporation), Bitstream Inc. and [T-26 ] Fonts, among others. He is now living in Barcelona, Spain, [...]
German designer Jan Sonntag is the designer of the Hildegard™ typefaces, which received one of several awards in the 2003 International Type Design Contest, sponsored by Linotype GmbH.
Hildegard is a sans serif text face that works well in both larger and smaller point sizes. On close inspection on will discover of world of subtle angle variation within the letters' structure, that is loosely inspired the stroke movements one uses in calligraphy. These built-up strokes create visible ink [...]
Type designer Eduardo Omine was born in 1981 in São Paulo where he still lives. Eduardo Omine graduated from the School of Architecture and Urbanism, São Paulo University (FAUUSP) in 2002. The font Beret™ is his first typeface to be commercially released.
Eduardo Omine designed his Beret family of typefaces in an attempt to create a warm counterpart to the clean, minimalist sans serif of the 20th Century. The most individual characteristics of Beret are the terminals at the ends of its [...]
Pirouette™ is based on a logotype that Japanese designer Ryuichi Tateno created for a packaging design project in 1999 – a shampoo container, at that! Already Tateno's original design experimented with overlapping swash italic letterforms. These experiments grew outside out their initial packaging project, taking on a life of their own. Eventually, they developed into the Pirouette typefaces, which were honored with a first place finish in the 2003 International Type Design Contest, sponsored [...]
Tony and Caio de Marco created the font Samba™ in 2003.
The Samba family was inspired by the lettering art of J. Carlos, a Brazilian illustrator during the early 20th century. Turned into a workable series of fonts by the contemporary Brazilian designers Tony and Caio de Marco, Samba is especially recommended for use in logos, flyers, posters, and tattoos! This family of types offers the user a chance to mix three different styles of lettering into one coherent design, which can be very useful [...]
German designer Guido Bittner created the font Expectation™ in 2003.
Expectation was first used on the Christmas card for Bittner's Wiesbaden design studio, like VorSicht.
This delicate series of letters maintains a handwritten feel, in part because it began as a digitalization of Bittner's own handwriting. Expectation Swash includes additional swash letters, which can be paired with regular version of Expectation to create superior effects.
The German designer Peter Huschka has a soft spot for unique fonts, as can be seen in his Linotype creations: Linotype Chineze, Sinah, and Picture Yourself.
More about the fonts:
Linotype Chineze™
Peter Huschka created a family of typefaces that resemble the calligraphic strokes found in Chinese characters. Using a variety of brush-like elements, Linotype Chinese imbues the Roman alphabet with an Eastern flair.
Picture Yourself™
Create your own world with the Picture Yourself [...]
Pirouette is based on a logotype that Japanese designer Ryuichi Tateno created for a packaging design project in 1999 - a shampoo container, at that! Already Tateno's original design experimented with overlapping swash italic letterforms. These experiments grew outside out their initial packaging project, taking on a life of their own.
The Pirouette type family contains six different elements. Pirouette Text is a beautiful, finely drawn Italic hand, which can set long passages of text. [...]
Consulte más características de las fuentes en nuestro Archivo de características de las fuentes.
Typographic Tip of the Month from Linotype’s Type Director Akira Kobayashi!
Junio 2006: Apóstrofos y comillas
¿Qué glifo es correcto: la tilde, el acento agudo o el apóstrofo? - Aquí se describe el uso correcto del molesto signo de puntuación que significa omisión y forma el posesivo (y a veces el plural).
Apóstrofos
El símbolo de comillas se usa aquí incorrectamente [...]
Font Designer: Ryuichi Tateno, 2003
A winner font of Linotype´s International Type Design Contest 2003 (1st price category display).
Pirouette is based on a logotype that Japanese designer Ryuichi Tateno created for a packaging design project in 1999 - a shampoo container, at that! Already Tateno's original design experimented with overlapping swash italic letterforms. These experiments grew outside out their initial packaging project, taking on a life of their own.
The Pirouette [...]
Font Designer: Ryuichi Tateno, 2003
A winner font of Linotype´s International Type Design Contest 2003 (1st price category display).
Pirouette™ is based on a logotype that Japanese designer Ryuichi Tateno created for a packaging design project in 1999 - a shampoo container, at that! Already Tateno's original design experimented with overlapping swash italic letterforms. These experiments grew outside out their initial packaging project, taking on a life of their own.
The [...]
Font Designer: Tony and Caio de Marco, 2003
A winner font of Linotype´s International Type Design Contest 2003 (3rd price category display).
The Samba™ family was inspired by the lettering art of J. Carlos, a Brazilian illustrator during the early 20th century. Turned into a workable series of fonts by the contemporary Brazilian designers Tony and Caio de Marco, Samba is especially recommended for use in logos, flyers, posters, and tattoos! This family of types offers the user a [...]
Font Designer: Tony and Caio de Marco, 2003
A winner font of Linotype´s International Type Design Contest 2003 (3rd price category display).
The Samba™ family was inspired by the lettering art of J. Carlos, a Brazilian illustrator during the early 20th century. Turned into a workable series of fonts by the contemporary Brazilian designers Tony and Caio de Marco, Samba is especially recommended for use in logos, flyers, posters, and tattoos! This family of types offers the user a [...]
In the mood for more samples of our fonts?
Our Font Gallery displays numerous examples of Linotype fonts. Search alphabetically or by category.
In the mood for more samples of our fonts?
Our Font Gallery displays numerous examples of Linotype fonts. Search alphabetically or by category.
Font Designer: Jan Sonntag, 2003
A winner font of Linotype´s International Type Design Contest 2003 (2nd prize category text).
Hildegard™ is a sans serif text face that works well in both larger and smaller point sizes. On close inspection, one will discover a world of subtle angle variation within the letters' structure that is loosely inspired the stroke movements one uses in calligraphy. These built-up strokes create visible ink traps at many joints, which in smaller sizes [...]
Font Designer: Hans-Jürgen Ellenberger, 2003
A winner font of Linotype´s International Type Design Contest 2003 (Honorable Mention category display).
German designer Hans-Jürgen Ellenberger originally developed the concept behind Elementis™ in 1975. Wanting to create an alternative typewriter script that was more round and natural, Elementis' design was born. True to its typewriter roots, Linotype's Elementis is a mono-spaced font, with more character than one expects from that [...]
Font Designer: Hans-Jürgen Ellenberger, 2003
A winner font of Linotype´s International Type Design Contest 2003 (Honorable Mention category display).
German designer Hans-Jürgen Ellenberger originally developed the concept behind Elementis™ in 1975. Wanting to create an alternative typewriter script that was more round and natural, Elementis' design was born. True to its typewriter roots, Linotype's Elementis is a mono-spaced font, with more character than one expects from that [...]
Font Designer: Gustavs A. Grinbergs, 2003
A winner font of Linotype´s International Type Design Contest 2003 (2nd prize category display).
Latvian designer and educator Gustavs A. Grinbergs created Stencil Moonlight™ as an attempt to slightly lighten up the stencil type scene. Intended as a lively, semi-formal face, its shapes are smooth and compact. It leaves a very heavy feeling on the page, as its letters display a very fat bold design. Stencil Moonlight is available is two [...]
Font Designer: Gustav Grinbergs, 2003
A winner font of Linotype´s International Type Design Contest 2003 (2nd prize category display).
Latvian designer and educator Gustav Grinbergs created Stencil Moonlight™ as an attempt to slightly lighten up the stencil type scene. Intended as a lively, semi-formal face, its shapes are smooth and compact. It leaves a very heavy feeling on the page, as its letters display a very fat bold design. Stencil Moonlight is available is two separate [...]
Argentinean designer Eduardo Manso created the Bohemia™ type family in 2003. Bohemia's cunning and elegant essence shows off refined letters that evoke the Transitional style typefaces like Baskerville, though most Baskerville-like designs tend not to be as curvaceous as Manso's! True to form, Bohemia shines in smaller text sizes, like 9 point and above, while still maintaining a unique character and spirit. Bohemia™ is a great alternative to better-known text faces.
The critics have [...]
Fuentes Sans Serif
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Nos reservamos el derecho a errores o cambios.
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