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Documents referring to these items ...
Joseph Gillé created the font Madame™ in 1820.
Madame first appeared in a sample with similar fonts, presented by the Founderie Typographique Francaise in the 19th century. The font consists of three cuts, letters, accents and numericals. The flamboyant Madame is meant for titles and headlines, emphasis in text or as initials. It combines well with both serif and sans serif fonts, but should be used sparsely to maximize the advantages of its ornate forms.
The characters of Madame were [...]
Font Designer: Joseph Gillé, 1820
The font Madame™ first appeared in a sample with similar fonts, presented by the Founderie Typographique Francaise in the 19th century. The font consists of three cuts, letters, accents and numericals. The flamboyant Madame is meant for titles and headlines, emphasis in text or as initials. It combines well with both serif and sans serif fonts, but should be used sparsely to maximize the advantages of its ornate forms.
The characters of Madame [...]
Font Designer: Joseph Gillé, 1820
The font Madame™ first appeared in a sample with similar fonts, presented by the Founderie Typographique Francaise in the 19th century. The font consists of three cuts, letters, accents and numericals. The flamboyant Madame is meant for titles and headlines, emphasis in text or as initials. It combines well with both serif and sans serif fonts, but should be used sparsely to maximize the advantages of its ornate forms.
The characters of Madame [...]
About Madame™ Font Family ...
Designer: Gillé, 1820
The Madame™ Font Family is part of the Assorted Collection.
The font Madame first appeared in a sample with similar fonts, presented by the Founderie Typographique Francaise in the 19th century. The font consists of three cuts, letters, accents and numericals. The flamboyant Madame is meant for titles and headlines, emphasis in text or as initials. It combines well with both serif and sans serif fonts, but should be used sparsely to maximize the advantages of its ornate forms.
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