Should it be a sans serif, a text face, a script font, or perhaps blackletter? Every month, selected fonts are chosen from the depths of Linotype´s collection for your perusal. Check out this month´s medley!
Five font families for a new season
Bad Homburg, 26 January, 2007. A new year is here, time to get back to the drawing board. Linotype has been busy sourcing the latest originals all year and to kick off the new year, launches five new font families in OpenType format. Each family offers its own dash of color and originality and can be employed for a variety of graphic communication needs. The fresh additions to the Linotype Library – Sunetta™, Aptifer™, Linotype Aroma™ OT, Anno™ and OCR A
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Font Designer: André Maaßen
The impulse behind André Maaßen's design of the Anno™ typeface was the design of a New Year's card for the year 2000 (Anno 2000). His desire to create the perfect printed image developed into a family with four styles: Anno 1, Anno 1 Italic, Anno 2, and Anno 2 Italic. Anno 1 and its Italic are semi-classicist typefaces, with a high degree of stroke contrast, while Anno 2 and its Italic are semi-grotesks, with less stroke contrast. Both Anno 1 and Anno 2
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Display Fonts
The impulse behind André Maaßen's design of the Anno typeface was the design of a New Year's card for the year 2000 (Anno 2000). His desire to create the perfect printed image developed into a family with four styles: Anno 1, Anno 1 Italic, Anno 2, and Anno 2 Italic. Anno 1 and its Italic are semi-classicist typefaces, with a high degree of stroke contrast, while Anno 2 and its Italic are semi-grotesks, with less stroke contrast. Both Anno 1 and Anno 2 are sans serifs typefaces, but they each offer a new interpretation of the genre. All four styles include oldstyle figures as well as accents for Western, Central, and Eastern European languages. The Anno typeface may be used in a number of applications and sizes. And it is naturally suitable for New Year's greetings and other cards, of course!