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Documents referring to these items ...
Born in Marburg/Lahn, Germany, in 1935. Studied at the School of Applied Arts in Wiesbaden with Professor Friedrich Poppl from 1954 to 1958. Almost 40 years as a teacher at the School/University of Applied Arts in Wiesbaden, area of instruction: communication design with emphasis on type and typography. Preferred areas of work: corporate design, type design, type and book graphics.
Numerous international awards and honors, among others from the Type Directors Club, New York, The Art [...]
Five font families for a new season
Bad Homburg, 26 January, 2007. A new year is here, time to get back to the drawing board. Linotype has been busy sourcing the latest originals all year and to kick off the new year, launches five new font families in OpenType format. Each family offers its own dash of color and originality and can be employed for a variety of graphic communication needs. The fresh additions to the Linotype Library – Sunetta™, Aptifer™, Linotype Aroma™ OT, Anno™ and OCR A [...]
Other families by this designer ...
About Sunetta™ Font Family ...
Designer: Werner Schneider, 2005
The Sunetta™ Font Family is part of the Linotype Originals.
An inkstone, a brush, ink, and paper. In China, one speaks of "wenfang sibao"-the four treasures of the scholar's study. With these centuries-old hand tools, Werner Schneider created a calligraphic type trilogy of the highest aesthetic order; he named this typeface family after Buddha's stepbrother, Sunetta. The way to typographic perfection is like the way to Enlightenment: countless hours of practice, tests, errors, and even failures are paramount. Like the spirit, the letterform must be freed of all unnecessary baggage before it may reach perfection. For Werner Schneider, type design is a lifelong and intensive process, which may always be traced back to handwritten roots. Individual characters and words must be put to the test in countless variations before they may build an optimal typographic orchestra.
Sunetta is an outstanding choice for contemporary display type purposes. Its combination of lively forms overcome sterile text passages, lending them a more personal note and feeling. But Sunetta is not only recommended for documents bestowing distinction and accolades; the fonts are superb for shorter text passages as well. Sunetta's spirited flow raises it above the fray that so many generic letterforms find themselves mired in, creating an unforgettable impression.
Sunetta's three complementary styles, Sunetta Flair, Sunetta Charme, and Sunetta Magic, offer three varying degrees of calligraphic verve. The family's base font, Sunetta Flair, harkens back to the showcard lettering styles of the 1950s, while remaining distinctly European in taste. Sunetta Charme has a more swash-type appearance, while Sunetta Magic is joyfully decorative - its brush-written strokes dance across the line. Together, they may help you reach typographic nirvana.
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