Calligraphy Selection 2

Calligraphy Selection 2

Calligraphy Selection 2

Give your design projects that individual touch:
Calligraphy Selection 2

Calligraphy Selection 2

The skilful production of lettering has always been the epitome of the art of calligraphy. These calligraphic fonts can be used to impart a very special individual and personal texture to a text and will perfectly express the zeitgeist. The unbelievable variety of calligraphic fonts also opens up extensive options for your design.
The fonts in our Calligraphy Selection 2 that come in the contemporary OpenType format will provide your design projects with an elegant and distinctive touch.

Brief information on the fonts making up the Selection:

Elegy Regular
Jim Wasco derived the sophisticated and very elegant Elegy™ Regular from a logo designed by Edward Benguiat. The wealth of OpenType features ensures that diversity is the name of the game with this font.

Potpourri Regular
Gottfried Pott created the original designs for Potpourri™ Regular on black paperboard using a frayed drinking straw. This typeface is reduced to fundamental forms and is best employed in the larger font sizes.

Young Baroque
Aristocratic stylishness is the main feature of this Baroque-inspired calligraphic font by Doyald Young. Not only is it suitable for label and invitation texts, its sweeping uppercase letters can also be used as initials.

WilliamLucas Regular
This unpretentious and elegant calligraphic font by Martin Wait has a wide range of glyph variants that can be used to create dynamic and diversified designs.

Always Light Condensed
The most characteristic features of Anton Scholtz’s Always Light Condensed are the generous curves of the ascenders and descenders. This font also comes with numerous glyph alternatives.