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Documents referring to these items ...
Roger Excoffon – born 7. 9. 1910 in Marseille, France, died 1983 in Paris, France – graphic designer, typographer, type designer.
Studies law at the University of Aix-en-Provence. Studied painting in Paris, works as a graphic designer. 1947: opens his studio. Co-founder of the U + O (Urbi et Orbi) advertising agency in Paris. Art consultant for the Fonderie Olive type foundry in Marseille (until 1959). 1968: designs the symbols for the Winter Olympics in Grenoble. 1972: founds his agency [...]
The late Phill Grimshaw was a prolific designer who delighted in the sheer fun and challenge of drawing display typefaces. His fonts reflect his understanding of calligraphy, his own imagination for dynamic letterforms, and his knack for drawing a great variety of styles. After studying at the Royal College of Art in London in the 1970s, he settled in his native Manchester in northern England to work as a lettering artist. He developed a specialization in type design, influenced and encouraged [...]
Banco® was the first typeface work of French designer Roger Excoffon and was released in 1952. The strong forms look as though they were rolled out of sheet metal and feature upright, tapering strokes. The slight slant, the varying heights of stroke ends, and the relationships between line and curve give Banco its sense of liveliness and dynamism. Excoffon did not design a matching lower case alphabet for his capitals, but this was accomplished later by Phill Grimshaw, who also designed the [...]
Other families by this designer ...
About Banco® by Adobe Font Family ...
Designer: Roger Excoffon, 1951
The Banco® by Adobe Font Family is part of the Linotype Originals.
Banco was the first typeface work of French designer Roger Excoffon and was released in 1952. The strong forms look as though they were rolled out of sheet metal and feature upright, tapering strokes. The slight slant, the varying heights of stroke ends, and the relationships between line and curve give Banco font its sense of liveliness and dynamism. Excoffon did not design a matching lower case alphabet for his capitals, but this was accomplished later by Phill Grimshaw, who also designed the light weight. He deliberately 'underdesigned' the lower case forms, producing a more reserved alphabet based on the design ideas of the original.
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