Levato™ font family
Designed by Felix Bonge in 2011
be installed on a computer for
use with applications.
Licensed per computer.
@font-face rule. They are licensed
for a set number of page views with
no time limitation.
embedded in an eBook, eMagazine or
eNewspaper. Fonts are licensed per issue.
a server and e.g. used by automated
processes to create items.
A license is per server core CPU per year.
on which the font will be installed.
that you can use over time. We’ll let
you know when you’re running low.
installations you want to license.
Some mobile app fonts allow an
unlimited number of installations.
you intend to embed the font in. Each license
is valid for one issue for the life of that issue.
CPUs of the servers on which
the font will be installed.
A license has a term of 1 year.
language support of the font.
the font: W1G (98 languages),
COM (56 languages),
PRO (33 languages) or
STD (21 languages).
available in. These differ in contained
characters and file size. You get all
available versions with your license.
Typecast is a web-based tool to create visual
and semantic designs. Check for readability,
rendering and beauty then share a working
prototype of your design.
Tip: Add fonts to your Favorites, then test your custom selection in Typecast!
Favorite fonts of Felix Bonge – The favorite fonts of font designer
The favorite fonts of the designer Felix Bonge
In a Linotype.com exclusive, Felix Bonge presents below his favorite fonts and explains why and how he uses them.
Felix Bonge: “What are my favorite fonts?”That’s a hard question to answer. I’m not the Vignelli-type who sticks to a handful of typefaces, using it over and over. I’m working more project-oriented. Finding the font that fits best feels like a better approach to me. Nonetheless there are dozens of typefaces I like to use or appreciate for their outstanding design. This is my small selection from the Linotype catalogue.
There are certainly more pleasing interpretations‚ like Garamond Premier or even the Stempel version but this one brings an organic‚ unpolished directness to the page‚ an appropriate sinister mood and I like it for that. It’s the right font in the right place and it reads great. I’m glad Garamond #3 was there to tell me all those fantastic stories.
FF Quixo was among the winners of the TDC Typeface Design Contest in 2014.)
I already liked the 12 styles of the 1993 version. The new expanded family is even better.
The reversed stress and the top-heavy characters add a warm-hearted seriousness to an alphabet that reads like a charm. It’s very hard not to like this font.
Solving the problem of creating graphs with OpenType programming is as excitingly innovative as it is time saving. It’s the essence of type design. Offering a solution to a problem. Nothing more‚ nothing less.